Wang Boyuan is an artist based in London and China who explores absurdity and fantasy through printmaking, moving images, drawing, etc. Wang Boyuan’s works employ imagination and humor to reflect and rethink identity, sexuality, social constraints, and underlying ideologies. His current work is a series of drawings that serve as self-portraits exploring my possibilities, desires, and emotions.
Renowned for their versatility and innovative use of mixed media, Chen Yang specializes in digital media art, moving images, as well as painting and sculpture installations. Their creative practice is characterized by a multidisciplinary approach, through which they investigate and articulate the nuanced dialogues between human societies and their habitats.
Xinyu Zhang, also known as DayDay, is a contemporary artist originally from Wuhan, Hubei, China, and currently based in New York. Drawing inspiration from daily observations, existential reflections, and a relentless curiosity to explore diverse materials, Xinyu's art is distinguished by minimalist lines and symbols, continually seeking a delicate balance between design principles and fine art.
Delphine Cuelenaere is driven by curiosity in both subject and method. The technique of woodcarving gives her the opportunity to be surprised by the material. Open-minded departures from the unknown and a radical openness to not knowing what will come are the essence of her artistic process. Slowly and unpredictably, scenes emerge in which voyeur and protagonist, spectator and artist, intertwine.
Jiangshengyu Nova Pan is a moving image and installation artist, currently based in Baltimore (USA). work focuses on human mobility. Working from the perspective of the individual, Pan’s work explores the profound transformations of space, power relations, and social networks faced by a mobile population through sculptures and videos, appropriating everyday life scenes based on her semi-fictional writings.
Born in Taiwan, Asia, Tseng Yu-Chin began his creative career as an experimental filmmaker and now works mainly with video and photography and mixed media installations, living with his partner in Amsterdam and Berlin. His work is based on the human body and the subjective mind, using the body to discuss self-existence, identity, politics, society, and contemporary values.
Patrícia Abreu is a Brazilian visual artist. Themes about Time, Memory, and the Natural World are a constant presence in her work. She has always been interested in the mysteries of Nature's life, which is covered beyond the visible surfaces that envelopes what we see and blur what we imagine. Her series of photographs titled Echoing Humanity was shot in Cisco, a ghost town in Utah, USA, in January 2019.
Billy De Luca is a non-fiction and short story writer and visual artist practising in Madrid. His fields of knowledge are based in the arts and culture spheres, including fashion, contemporary and modern art, and travel. His cultural background has heavily influenced his perspectives. In this article, he delves into the production and ultimately the core meaning of Japanese conceptual artist On Kawara.
Marina Wittemann is a Russian artist, currently based in Germany. Her art is inspired by the ability to perceive the world through complex experiences of color, space, and time. This volumetric pictorial color field is an opportunity to perceive events, feelings, and emotions through synesthesia. She works with paintings as well as sculptures and is influence by various different cultures and techniques.
Aristo Vopĕnka explores the boundaries between photography, illustration, painting, and print. Using an experimental attitude towards these different media, new forms of expression take place. They are the beginning of a contemporary reinterpretation of expressionism which he has started to call experiential expressionism.
Ekaterina Zhingel is inspired by articles on scientific hypotheses and discoveries in physics and neurobiology. Her latest series is devoted to the nonlinearity of time. In the series, Ekaterina was photographed against the background of the street and kept this moment for herself. She left no more trace. This photo is the only proof of her short presence at this place.
Hermano Noronha is more interested in the symptom than in the evidence, in reaching what is under the obvious. He is interested in the vortex of time and how the plurality of individual memories is combined in the building of collective memory. Through the identification and photographic registration of symbolic markers, he seeks to build archives against oblivion.
