Dylan Low is a Malaysian visual artist, creative designer, and educator whose multidisciplinary practice bridges contemporary design and fine art. His work investigates the fluid boundaries between emotion, memory, and artistic observation. Using digital paintings as his primary tools, he creates immersive visual narratives that challenge perceptions of emotions in art and design.
INTERVIEW | Ayumi Kajiwara
Ayumi Kajiwara is a Japanese sculptor based in London/ Tokyo, working across textile, installation, and found materials. Her practice explores the sculptural potential of textiles, creating forms that exist between body, creature, and landscape. Working with both reclaimed materials and handcrafted textiles, she investigates material memory, vulnerability, and transformation.
INTERVIEW | Lubna Alayeli
Lubna Alayeli is a multidisciplinary artist and interior designer whose practice explores transformation, memory, and the relationship between natural forms and abstraction. Working primarily through painting, she investigates states of emergence and transition, allowing images to evolve through layered processes of observation, intuition, and material experimentation.
INTERVIEW | Bichen Liu
Bichen Liu is a Chinese lens-based visual artist working across fine art photography, black-and-white image-making, and experimental photographic practice. What Lies Beneath is a black-and-white photographic series focusing on exposed root systems and coastal residues, that transforms overlooked ecological fragments into visual records of support, erosion, and displacement.
INTERVIEW | Haohao Huang
Haohao Huang is a Chinese visual artist based in Savannah, Georgia. Her practice explores memory, intimacy, displacement, and belonging, often examining the instability of memory and the ways personal experiences are translated and transformed through photographic processes. Her latest series, Lost in Translation, examines intimacy, memory, and the instability of identity.
INTERVIEW | Raya Mansoor
Raya Mansoor is a contemporary artist from the Maldives whose practice moves between abstraction and expressionism, shaped by island life, personal memory, and observation. Working primarily with acrylic and oil on canvas, she builds layered compositions through colour, gesture, and forms drawn from the natural and everyday world around her.
INTERVIEW | Hannah Wu
Hannah Wu is a Taiwanese-born, New York–based multidisciplinary artist working across painting, olfactory art, sculpture, installation, photography, and moving image. Using acrylic, plaster, resin, fragrance, and found materials, her practice explores the relationship between scent, memory, and visual form, translating ephemeral experiences into tangible objects.
INTERVIEW | Kfir Galatia Azula
Kfir Galatia-Azulay Darash is an architect, engineer, multidisciplinary designer, and artist. In his practice, architecture defines the framework, scale, rhythm, and light; interior design addresses the body and the human experience; product design approaches detail, material, and physical contact; and art allows an idea to move beyond function and become emotion, memory, and interpretation.
INTERVIEW | Carmen Vornicelu
Carmen Vornicelu is a Romanian artist working across visual systems, text, sound, spatial situations, and participatory formats. Her current research framework, Pre-Economic Architecture, investigates the conditions that precede the formation of economic, institutional, or political value, examining the criteria that shape what can become relevant.
INTERVIEW | Siqi Fan
Siqi Fan is a Los Angeles–based artist whose practice spans painting, sculpture, video installation, performance, and photography. Drawing inspiration from food culture, hospitality, and everyday encounters, her work reflects on migration, labor, memory, and the ways people create a sense of belonging, focusing on overlooked stories and forms of care embedded within ordinary spaces.
INTERVIEW | Harshil Upadhyay
Harshil Upadhyay is a fine art photographer and visual artist whose practice explores the delicate space between presence and absence. Influenced by both documentary realism and poetic abstraction, his work captures fleeting moments of solitary figures, transient encounters, and landscapes suspended in time, through the use of motion blur, muted tones, and selective colours.
INTERVIEW | Bin Fang
Bin Fang is a multimedia artist working across language, video, installation, image, sound, and drawings. The work engages with labour, fragmented memory, and performance, often tracing ideas and materials that resist or are misread in translation in daily life. Through a poetic approach to space, Bin explores how body, identity, culture, and perception are deferred, reframed, or misunderstood.
INTERVIEW | Sona Lee
Sona Lee is a Korean artist currently living and working in New York City. She primarily works in painting and drawing, reconstructing surreal spaces where fragments of memories, dreams and reality intertwine to create multi-layered visual narratives. Her layered imagery reflects a deep interest in psychological space, often blurring the boundary between the real and unreal.
INTERVIEW | Ziwen Li
Ziwen Li is an artist based between London and China, working across painting, drawing, sculpture and installation. She is deeply interested in fluid energies that circulate between the subconscious and nature. Her work reflects on memory, authenticity, transience, psychological vulnerability, kindness, and the human search for meaning.
INTERVIEW | Songer Yang
Songer Yang is a visual artist working across painting, graphic design, and narrative forms. Rooted in personal memory, her practice explores themes of family, femininity, and the emotional weight of domestic rituals. She is interested in how love lingers in the everyday, how repetition echoes absence, and how the body remembers through touch.
INTERVIEW | Chloe Saron
Chloe Saron was born in Baltimore, Maryland. Through blurred forms and softness, the artist explores memory, interconnectedness, and stillness, inviting viewers into a quiet space of reflection and recognition. What is so exciting about Saron’s process is that it is an act of personal rebellion, going against everything she was trained to do.
INTERVIEW | Daniela Miranda – Antüpewma Rülkelme Mella
Daniela Miranda (Antüpewma Rülkelme Mella) is a photographer, ceremonialist, and cultural storyteller rooted in her Mapuche lineage. Her practice weaves ancestral memory, visual ritual, and cultural preservation. The series Whispers of the Amazon is a ceremonial act of remembrance, an offering to the Sapara Nation, whose language and ancestral knowledge stand on the edge of disappearance.
INTERVIEW | Alexandru Crisan
Alexandru Crișan is a visual artist interested in the existential complementarity of objective and nonobjective forms of expression. His latest series, FRAGMENTA DEORUM I, proposes a contemporary archaeology of the mythic body. In this series, Crișa constructs a visual language that fractures and reconstitutes the divine.
INTERVIEW | Nebras Hoveizavi
Nebras Hoveizavi (b. Ahvaz, Iran) is an Arab-Iranian artist and educator working across experimental film, photography, installation, and poetry. Her practice engages with displacement, memory, borders, and the limits of language. Working across photography, video, and experimental media, she approaches image-making as a form of witnessing, transforming observation into a visual language.
INTERVIEW | Mark James Murphy
Mark James Murphy is a contemporary British printmaker, currently based in Vũng Tàu, Vietnam. His practice centres on the linocut, a labor-intensive relief medium he utilises as an "Anchor of Attention" against the velocity of modern life. Self-taught in the medium, Murphy explores the stillness and wonder found within the overlooked details of architecture and urban environments.




















