Film Photography

INTERVIEW | Kon Markogiannis

INTERVIEW | Kon Markogiannis

Kon Markogiannis is an experimental photographer-mixed media artist with an interest in themes such as memory, mortality, spirituality, the human condition, the exploration of the human psyche, and the evolution of consciousness. He embraces the indexical qualities of photography and its immediate impact on the viewer, but what he is mainly concerned with are the ways “reality” can be transformed.

INTERVIEW | Koo J

INTERVIEW | Koo J

Koo J is a South Korean artist, currently based in Seoul, South Korea. She works on photography with a warm color film camera. The loneliness and anxiety of everyday life in the crushed image, while recalling the feeling of excitement, also express various emotions, such as moments of the past and fears and expectations for the future. For painting, she works on abstractions to convey emotions.

INTERVIEW | Gulbin Ozdamar Akarcay

INTERVIEW | Gulbin Ozdamar Akarcay

Gulbin Ozdamar Akarcay tries to understand the cultural, ideological, environmental, and sociological order of the world, as well as the ordinary structures of daily life, by reading, using and producing images, which will hopefully open up new doors to the future. She uses photography to conduct visual ethnographic research.

INTERVIEW | Daria Lou Nakov

INTERVIEW | Daria Lou Nakov

Daria Lou Nakov is a French visual artist. Her work is at the crossroads between installation, photography, and video. She sees photography as a way to create images and not simply capture the world around her. In a society so fueled with images, she likes to create surrealistic images to question our relation to the hyperrealistic image-based world.

INTERVIEW | Man Zhu

INTERVIEW | Man Zhu

Man Zhu is a fine art photographer originally from China, and currently based in New York. Her latest series, UnFrame: Relationship, is a body of photo-based works through which she explores her subconscious behavior by showing her relationships with people around her. The creative process draws on the principles of semiotics, appropriating and retaining each subject’s past, and integrating them into self-portraiture.