Lohrasb Bayat (b. 1990, Tehran, Iran) is a self-taught artist based in Tehran. His practice delves into the dynamics of power, uncertainty, and resilience within socio-political and psychological landscapes. Working primarily with painting, Bayat explores the tension between vulnerability and defiance, often through figures caught in ambiguous or constrained situations.
Yulin Peng is the curator and director of Galerie de Nuage, a contemporary art gallery and cultural platform operating between New York and Hong Kong. A licensed architect with a Master of Architecture from Columbia University, her practice spans curation, design, and economic research. Her work bridges the creative and the quantitative, contributing to broader questions of how culture is shaped.
Svetlana Bakhareva is a visionary visual artist and performer, that lives and works in Barcelona. Key directions in her practice include embodied experience, the perception of environment as a living space, and engagement with the more-than-human. These vectors are unified through an exploration of experiences that extend beyond purely material perception.
ChingKe Lin is a bamboo artist rooted in material philosophy, expanding the contemporary possibilities of bamboo. Rather than reproducing traditional craft, he approaches bamboo as an explorer, studying its tension and resilience to seek a deeper bond between nature and human experience. His work grows from the essence of the material, turning bamboo weaving into a fluid spatial language.
Zhi-Jiang Shan is an interior designer known for his cross-cultural design sensibility and poetic spatial expression. He often draws inspiration from classical Chinese landscapes, local craftsmanship, and symbolic spatial rituals, transforming them into immersive environments that resonate with modern life. His projects are not only functional but emotionally engaging.
Yuying Herr is a multidisciplinary visual artist whose practice moves between digital worldbuilding, expanded illustration, and speculative image-making. Working at the intersection of technology, memory, and emotional perception, she constructs immersive visual architectures that question how human experience is reshaped in increasingly hybrid realities.
Anna Moskalets is a contemporary Ukrainian artist, independent curator, and social activist. Born in Romny (Sumy region, Ukraine), she is now located in London, UK. Her work confronts urgent themes: displacement, resilience, and the search for identity. Her practice explores the paradox of belonging, more urgent than ever, despite dislocation.
In recent years, her works address notions associated with the haphazardness, demarcated territories, or transient shelters in the context of acute global issues concerning the future and integrity of our planet. She creates site-specific installations and sculptural objects, using ready-made and man-made materials.
Daniela Romero is a Mexican visual artist, creative director, and illustrator.Her work stems from a desire to understand what one feels. She doesn't seek to communicate or explain, but rather to transform the emotions that inhabit the everyday into something new: an image that breathes and exists on its own. In her practice, creation is not an act of representation, but of discovery.
Wei Zhang is a visual artist passionate about colour, currently working as a freelance artist in Atlanta. Working primarily with acrylic, screen printing, and digital media on raw wood panels, Zhang's practice centres on the concept of "containment" and the exploration of breaking beyond existing boundaries.
Ming Cheng is a New York–based graphic designer whose work moves between visual design, theatre, and emotional storytelling. As a designer originally from China, she explores the relationship between form, language, and human experience. Her practice explores how design can express the distance between people and the spaces they inhabit, reflecting on belonging, intimacy, and subtle emotions.
As a pop artist, Lior’s work draws inspiration from his childhood heroes, popular culture, current events, and the digital world. Through a blend of humour and cynicism, his work reflects the modern social psyche, offering sharp commentary on politics, cultural polarisation, and human behaviour. He critiques both extremes, ridiculing social trends across the spectrum with wit and insight.
Fabio Alves is a Brazilian visual artist graduated in Psychology, and a person with a disability, a characteristic he likes to reinforce in his life, and his way of seeing the world. Through black-and-white photography, he creates meditative images. He is currently developing a project that explores disabled women’s corporeality and self-image.
Wei-Fang Chang is a video designer and creative technologist from Taiwan, based in Los Angeles. With extensive experience in projection design, motion graphics, and interactive programming, particularly in live experiences, she shapes her visual language through video design in theatre, dance, and interactive installations.
Sasan Nasernia explores different avenues in Persian and Arabic classical and modern calligraphy, working with painting, print, digital work and installation. Playing with the tension between two opposing primordial elements—order and chaos —Nasernia borrows from traditional Persian paintings and iconography, immersing these elements in abstraction and ambiguity through his letterforms.
Kondraty Seriy (Grey) is a contemporary interdisciplinary and street artist. The central element of his practice is the colour grey, understood not as the absence of colour, but as the space where black and white meet, struggle, merge and interact. For him, grey is not only a philosophical category, but also a metaphor for contemporary reality, where there is no single hierarchy.
Jiaxin Chen is a visual artist whose practice explores the relationship between photography, materiality, and urban memory. Originally trained in visual communication, she gradually shifted her focus toward experimental photography as a means of expressing the layered textures of contemporary city life. Her recent work combines cyanotype printing with traditional Yongchun paper weaving.
Graduated in Architecture and trained in azulejo painting and ceramics in Lisbon, Aurore Monteil develops a multidisciplinary artistic practice rooted in architecture, conceived not only as a discipline of construction but as a sensitive, vibrational, and universal language. Her work explores the impact of materials, forms, and spaces on both body and mind.
Dana Wang is a photographer and cinematographer based in London, currently working primarily in the camera department on film sets. Themes of identity, nature, and human connection recur throughout her practice, carrying with them a cinematic subtlety and rhythm that flows seamlessly between her film and photographic projects.
Rhea Hu is an illustrator and visual storyteller pursuing an MFA in Illustration at the Rhode Island School of Design. With a background in Traditional Chinese Medicine, her interdisciplinary practice spans drawing, digital fabrication, and book arts. She constructs visual languages that are distilled and deliberate, infused with tension, precision and irony.
Kate Ferguson (USA) is a photographer, writer, and filmmaker based in Mexico City. Her multidisciplinary practice is rooted in an appreciation for the threshold moments where transformation occurs and realities blur. hrough her work, she considers nostalgic liminality, the sensation of memory, and decisions that lead to psychological and spiritual evolution.
Currently on view at Palazzo Mora in Venice, Temporary Structures, Eternal Structures is a collaborative project by Kfir Galatia‑Azulay and Suly Bornstein Wolff, created specifically as a duo installation. Their work is featured as part of the expansive international group exhibition organised by ECC‑Italy, Time Space Existence, on the occasion of the 2025 Architecture Biennale of Venice.
Judie Huier Zhao has built a distinctive career that spans continents, cultures, and creative disciplines, establishing herself as an influential figure in the international art world. From her base in New York City, Zhao operates at the intersection of arts education, curatorial practice, and cultural innovation, demonstrating how cross-cultural insight and strategic thinking can reshape art engagement on a global scale.
