Art Magazine - ISSUE22

EDITION SEPTEMBER 2026

<< LIMITED EDITION MAGAZINE >>

ISSUE22 COVERS

highlight COVER

ARTISTS | ISSUE22

Alena Sherstneva, Alfonso Pezzella, Alsu Sharm, Aner Wang, Anna Frazer, Aya Shirahama, Ayumi Kajiwara, Bichen Liu, Celine Lam, Chong Liu, Corey J. Willis, Dalion Huang, David Hangonyi, David Moješčík - MojDa, Delmaine Donson, Donna Gough, Elena Go, Emil Küssner and Alfred Cyranka, Gil Zablodovsky, Greg McDonald, Hermione Newton, Huichao Dong, Hushang Omidizadeh, Hyebin Jeon, Ivan Kanchev, Jade Lyn Shantay, Jane Munro, Javier Gil Muñiz, Jenwei Huang, JJJJJ, Julie Machallová, Kaoru Shibuta, Katya Kritseva (Tutookatu), Kristine Okuneva, Lolo Ostia, Low How Koon, Lubna Alayeli, Lumi Liu, Maria Leite, Melike Dedeoglu, Mercury.N, Naomi Lee, Natalia Macrii, Natalia Yuresko-Bilous, Nataraj von Allmen, Neel Jassani, Peishen Liang, Prapanpun Boonyachai, Richard Glick, Robert Šalanda, Sana Obaid, Sebastian Ścigalski, Shuling Zhou, Simon Berson, Sinuo Chen (Snow), Tanya Xmyra, Vera Viper, Veronika Fox, Xixi Yang, Xiya Wang, Yixin Liu - Saki

JJJJJ - Cover Artist

Launched in 2026 by artist JJJJJ, FLESH is an ongoing exploration of the human form as both an aesthetic object and an emotional signifier of contemporary life. Each piece emerges from intensive cross-pollination of hybrid visual elements — making every FLESH categorically unique.

JJJJJ is a Chinese artist based in Beijing whose practice spans AI, XR, 3D, and VFX. She takes the human body as her subject — as both an emotional and aesthetic signifier of contemporary life — and investigates how it holds the tension between bodily truth and digital spectacle. Her work has been presented at the METAXIS New Media Art Festival in Budapest, the Second International AI Art Exhibition at the Czong Institute for Contemporary Art in South Korea, and the North Carolina Museum of Art, as well as in exhibitions across New York City, Germany, and Poland. Features include Prompt Magazine, Al-Tiba9, PJAS, and AIMA’s official selection. She holds degrees in fine art from New York University (BFA) and Muthesius University of Fine Arts and Design (MFA), and in computer science from Dartmouth College (MS).

Origin — FLESH draws its aesthetic DNA from original visuals, synthetic materials, fashion code, graphic design, and speculative image regimes. These inputs are remixed and mutated through algorithmic processes to birth entirely new digital physiologies.

Style — FLESH rejects fixed visual signatures. Each work is calibrated to a precise emotional rupture — yielding a continuously evolving corpus of digital bodies. Powered by AI, FLESH traverses visual possibility at computational velocity, creating forms that are formally divergent yet conceptually unified.

Theme — FLESH is anchored by an unrelenting fixation: the body as a vessel for maximum visual and emotional voltage. Pain, desire, identity, and social friction pulse through the charged surface of the body. Each piece probes the visual potency of fabricated corporeality — can digital physicality summon visceral responses that rival, or even exceed, those of organic reality?

Owning FLESH means claiming a moment of aesthetic discovery that even the artist cannot replicate. It is not possession of an image, but stewardship of an irreplaceable creation born from machine-augmented spontaneity. Check out the NFT collection.

Find Al-Tiba9 stand at these Artists’ Book fairs

ArtsLibris MACBA Barcelona, 30 October - 1 November 2026
ZⓈONAMACO Art Fair, Mexico City, 3-7 February 2027
ARCOmadrid Art Fair, Madrid, 3-7 March 2027
ARCOlisboa Art Fair, Lisbon, May 2027

Previous Publications >>