Renowned for their versatility and innovative use of mixed media, Chen Yang specializes in digital media art, moving images, as well as painting and sculpture installations. Their creative practice is characterized by a multidisciplinary approach, through which they investigate and articulate the nuanced dialogues between human societies and their habitats.
Xinyu Zhang, also known as DayDay, is a contemporary artist originally from Wuhan, Hubei, China, and currently based in New York. Drawing inspiration from daily observations, existential reflections, and a relentless curiosity to explore diverse materials, Xinyu's art is distinguished by minimalist lines and symbols, continually seeking a delicate balance between design principles and fine art.
Delphine Cuelenaere is driven by curiosity in both subject and method. The technique of woodcarving gives her the opportunity to be surprised by the material. Open-minded departures from the unknown and a radical openness to not knowing what will come are the essence of her artistic process. Slowly and unpredictably, scenes emerge in which voyeur and protagonist, spectator and artist, intertwine.
Jiangshengyu Nova Pan is a moving image and installation artist, currently based in Baltimore (USA). work focuses on human mobility. Working from the perspective of the individual, Pan’s work explores the profound transformations of space, power relations, and social networks faced by a mobile population through sculptures and videos, appropriating everyday life scenes based on her semi-fictional writings.
Jiaming You is a painter and installation artist based in Chicago. You utilizes found imagery and photos taken by themselves to construct scenes of bodies in non-existent scenarios as an attempt to critique the limiting nature of social norms in depicting individuality and uses their experience and positionality as a non-binary immigrant as a source of knowledge and site of exploration to the confines of social norms and the distribution of power.
Nanxi Jin is an interdisciplinary artist who works with clay. As a Chinese artist living in the United States for the past decade, Nanxi Jin has grappled with the tension between her early years in China and her art education in the US. This juxtaposition has greatly influenced her artistic journey, as she now combines her appreciation for harmony with the vibrant colors, conceptual leanings, and Eastern gestures and Western aesthetics.
SuJung Jo is a Brooklyn-based artist who works with photography, woodworking, and sculpture. Jo uses organza to veil her images, both as a psychological strategy but also an innovative growth in her approach to photography. In doing so, she stretches the boundaries of the two-dimensional photography and integrates it with the three-dimensional possibilities of sculpture.
Aomi Kikuchi’s work is based on Japanese aesthetic principles and the teachings of the Buddha, such as “Wabi-sabi” and “Mono-no-aware”. It addresses infinity as the succession of fleeting and brittle activities. With freedom and flexibility, she combines acquired knowledge and experiment and creates art to inspire dialogue and reflection on these concepts through materials and aesthetic philosophies.
Luc Vandervelde Lux is a Belgian artist, living and working in Brussels. No material escapes the eye of the artist: carpets, fabrics, plastic, felt, jute, rubber, knitwear, metal or wooden frames, remnants of roofing, tape, or moving blankets are processed in his visual universe. It is a multi-layered world where found objects are freely brought together to relate to each other in new harmony.
Mallory’s work focuses on collecting and ritual. In the Flowers of the Anthropocene series, she plays the role of an artist / pseudo-naturalist, for she does not create the flowers. She finds them in the waterways created by the forces of nature and clips the flowers to photograph them back in her studio.
