Renowned for their versatility and innovative use of mixed media, Chen Yang specializes in digital media art, moving images, as well as painting and sculpture installations. Their creative practice is characterized by a multidisciplinary approach, through which they investigate and articulate the nuanced dialogues between human societies and their habitats.
Xinyu Zhang, also known as DayDay, is a contemporary artist originally from Wuhan, Hubei, China, and currently based in New York. Drawing inspiration from daily observations, existential reflections, and a relentless curiosity to explore diverse materials, Xinyu's art is distinguished by minimalist lines and symbols, continually seeking a delicate balance between design principles and fine art.
Delphine Cuelenaere is driven by curiosity in both subject and method. The technique of woodcarving gives her the opportunity to be surprised by the material. Open-minded departures from the unknown and a radical openness to not knowing what will come are the essence of her artistic process. Slowly and unpredictably, scenes emerge in which voyeur and protagonist, spectator and artist, intertwine.
Jiangshengyu Nova Pan is a moving image and installation artist, currently based in Baltimore (USA). work focuses on human mobility. Working from the perspective of the individual, Pan’s work explores the profound transformations of space, power relations, and social networks faced by a mobile population through sculptures and videos, appropriating everyday life scenes based on her semi-fictional writings.
Jiaming You is a painter and installation artist based in Chicago. You utilizes found imagery and photos taken by themselves to construct scenes of bodies in non-existent scenarios as an attempt to critique the limiting nature of social norms in depicting individuality and uses their experience and positionality as a non-binary immigrant as a source of knowledge and site of exploration to the confines of social norms and the distribution of power.
Devika Pararasasinghe is currently living and working in London by trade as an artist and writer. Her practice deals with[in] the working-class [invisible]-labour ecosystem[s] and [invisible]-reproductive labours, giving into the visuals between low-fi and high-art aesthetic scenarios. In addition, writing for Devika is an act of monological autonomy and re-narrativising.
Sitong Yin is a Chinese artist and the granddaughter of a tailor. She is primarily a fiber artist and works around fiber and textiles, installations, and performance, currently based in Chicago, IL. Her work explores translations between materials, places, and cultures and the poetic and spiritual moments revealed in the gaps of translations.
Judit Bodrogi, a textile artist from Budapest, uses yarn like other artists use their pencils, drawing on canvas with needle and yarn. Her pictures present the pressures placed on us by our own society. Judit often deals with these deep topics through her own emotions, working and processing her own traumas throughout the art.
Deborah Kruger’s latest artwork focuses on the tragic losses of the 21st century, specifically the impacts of human-induced climate change and habitat fragmentation on bird extinction. Kruger hopes that her environmental artwork invites dialogue about the importance of preserving wild spaces, animals, especially vulnerable birds, and protecting habitat for all species, including humans.
Paula Fernández López is a Spanish designer, born in Seville in 2002. Paula's works of art focus on the creative process's conceptual basis. It allows one to get a free interpretation of her designs, which norms and standards show very clearly and identify aesthetics. Ripped textures, a short neutral color palette, and an avant-garde style are the main elements that make her different and define her as an artist.
Rana Huwais is a mixed-media artist specializing in printmaking and soft sculpture. In her work, Rana explores ideas of nostalgia, childhood, memory, and the complexity of being a second-generation immigrant from a nation currently undergoing the trauma of war. Formally, she engages with these themes with the use of bright colors, expressionistic and childlike mark-making, cultural motifs like the evil eye and Arabic script.
SuJung Jo is a Brooklyn-based artist who works with photography, woodworking, and sculpture. Jo uses organza to veil her images, both as a psychological strategy but also an innovative growth in her approach to photography. In doing so, she stretches the boundaries of the two-dimensional photography and integrates it with the three-dimensional possibilities of sculpture.
Alexandra Holownia is a performance and interdisciplinary conceptual artist who made actions in public space, costumes, sculptures, drawings, video, text, lectures. Alexandra Holownia's works touch on taboo topics related to gender. She demonstrates against exclusion, discrimination based on age, sexism, and patriarchal structures in women and men's private and public relations. Calls for socio-political tolerance, acceptance of human rights, and freedom of sexual self-determination.
Ryoji Morimoto is a mixed-media artist who was born in Kochi, a rural area of Japan. His simple upbringing infused his childhood with the legacy and lifestyle of coexistence with nature. His works are based on the relationship between something disappearing, changing, and arising with the flow of time and the human being. He often gets inspiration from simple daily life elements, such as the natural world, and visualize the relationship between their background and human beings.
Marina Gasparini was born in Gabicce Mare. She lives and works in Bologna, Italy. After graduation from the Academy of Fine Arts in Ravenna, she started her artistic activity in Bologna in the '80s. Her practice focuses on living places and is mostly based on drawing, embroynding, and installations. Since 2001, the employment of textiles has been constant in her works.
Aomi Kikuchi is a Japanese creator of innovative fine arts. She is inspired by Buddha’s philosophies of impermanence, insubstantiality, and suffering in all life—referred to in Japanese as Mujo(無常), Muga (無我), and Ku,(苦). She raises awareness that acceptance of impermanence and insubstantiality can liberate from dissatisfaction or suffering.
