10 Questions with Saliha Hanif

Saliha Hanif is a Dubai-based visual artist of Pakistani origin, specialising in contemporary and calligraphic art. Represented by One Four Art Gallery, she is recognised for her unique fusion of traditional Arabic calligraphy with modern abstract forms. Over the past 15 years, she has exhibited in platforms such as DIFC Art Nights 2025, World Art Dubai, Reem Gallery, Cube Creative Gallery, and Cross Borders Gallery, with collaborations extending to interior design showrooms including Damus Artis and Maro Home. Her practice emphasises spirituality, handmade techniques, and environmental consciousness, reflecting a deep commitment to art as a mindful and sacred experience.

onefourart.com | @onefourart

ARTIST STATEMENT

With over 15 years of artistic practice, Saliha has developed a visual language rooted in mindfulness and mastery. Her work draws deeply from moments of spiritual reflection, often emerging during prayer when thought, emotion, and intention converge. Blending traditional Islamic art aesthetics with her personal narrative, she integrates Qur’anic verses as vessels of meaning, inviting contemplation, peace, and presence. Through layered compositions, symbolism, and sacred text, her pieces explore the dialogue between the seen and unseen, offering viewers spaces of tranquillity and connection.

Bismillah Tawakaltu Ala Allah, canvas, 60x70 cm, 2025  © Saliha Hanif

INTERVIEW

Let’s start from the basics. Can you tell us a little about your background and how you first became interested in art?

I grew up in a religious family, surrounded daily by the Qur’an and the sound of its recitation. As my family has always been deeply rooted in Islam, this spiritual environment became part of my very being. From early on, art was a bridge between spirituality and personal expression. My love for art grew alongside this foundation and eventually guided me toward creating works inspired by the Qur’an and spirituality.

You have over 15 years of artistic practice. How has your work evolved during this time?

My journey initially began in the world of design, particularly fashion design, which gave me a strong understanding of form, colour, and composition. Over time, this path evolved into digital painting, where I discovered my personal language and began merging spirituality with contemporary expression. Today, my work has further transformed as I present as the lead artist of One Four Art Gallery, where a dedicated website focused on Islamic art is being developed.My works are now being published online for exhibition and sale, highlighting digital art inspired by Qur’anic verses and the creation of new forms of typographic expression.

The Divine Names, Digital art and metal, 220x100 cm, 2025  © Saliha Hanif

Your art often emerges during prayer and reflection. How does spirituality guide your creative process?

All of my artworks are created spontaneously and flow directly from the spirituality within me. Qur’anic verses settle deeply into my heart and mind, and then crystallise into artistic expression. This natural and inner process is the driving force behind my creativity.

What inspires you most when choosing Qur’anic verses or symbols to include in your work?

My inner peace inspires the creation of my artworks. Typically, I select a Qur’anic verse and reimagine it in my own way, integrating it into a series of designs and paintings. This becomes a fusion of spiritual inspiration and artistic innovation.

You combine traditional Islamic art with modern abstract forms. How do you find a balance between tradition and innovation?

It is essential for me to remain rooted in Islamic traditions and calligraphy, while at the same time reinterpreting these elements for today’s audience. Tradition provides depth and authenticity, while innovation allows me to speak tocontemporary viewers. This balance creates a dialogue between past and present that opens toward the future.

Calligraphy is central to your practice. What does this form of expression mean to you personally?

I portray Qur’anic verses in a completely different way, almost as though I am creating a new form of typography where each letter is reimagined and reshaped. This is not merely a reproduction of script; it is a deeply personal and spiritual experience that comes alive in each work.

Your works are known for creating spaces of peace and contemplation. What do you hope viewers feel when they experience them?

I hope viewers can perceive some of the spirituality and inspiration that flows through my works. Establishing a connection between the audience and the artwork is deeply important to me. My aim is not limited to a Muslim audience. Rather, I seek to engage anyone who resonates with the lines, colours, and techniques, allowing them to connect with the work in their own personal way.

Can you walk us through your creative process, from the first idea to the finished piece?

My process always begins with inspiration. I then choose a verse or symbol that aligns with this moment and begincreating spontaneously. There is never a fixed final plan; the work evolves organically throughout the process. Improvisation, silence, and focus are integral to the way each piece takes shape.

Echo of Yassine , Acrylic Sandwich Embossed , 70x80 cm, 2025   © Saliha Hanif

You’ve exhibited widely in Dubai and beyond. Which exhibition or collaboration has been the most meaningful to you so far?

One of the most significant exhibitions for me was World Art Dubai, where I had a large booth showcasing more than 20 works. The feedback from the audience was highly positive and deeply engaging, making it an invaluable experience. In addition, over the past few years, I have been working as the lead artist of One Four Art Gallery, a collaboration that has played an essential role in presenting and developing my artistic journey.

Looking ahead, what are your goals and aspirations for the next chapter of your artistic journey?

I aspire to be recognised in the art world as an artist who has introduced a new style of digital art inspired by Qur’anic verses. My goal is to expand this unique visual language internationally and create a bridge between spirituality and contemporary art. At the heart of my vision is the desire for the blessings of these Qur’anic verses to enter every home, so that the energy within each artwork flows through the living space. I also aim for my creations to become a harmonious fusion of classical design and contemporary aesthetics in home décor, allowing each piece to carry both beauty and spiritual resonance.

Artist’s Talk

Al-Tiba9 Interviews is a promotional platform for artists to articulate their vision and engage them with our diverse readership through a published art dialogue. The artists are interviewed by Mohamed Benhadj, the founder & curator of Al-Tiba9, to highlight their artistic careers and introduce them to the international contemporary art scene across our vast network of museums, galleries, art professionals, art dealers, collectors, and art lovers across the globe.

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