public art

INTERVIEW | David Moješčík - MojDa

INTERVIEW | David Moješčík - MojDa

David Moješčík - MojDa is a Czech sculptor. His work is centred on figurative sculpture, the human body, and the female figure. Modelling in clay and with digital tools, he ultimately prioritises manual engagement with materials. . He draws inspiration from yoga philosophy with the concepts of non-violence and human-centeredness, as well as from Egyptian, ancient, and European classical sculpture.

INTERVIEW | Wei Wu

INTERVIEW | Wei Wu

Wei Wu is an interdisciplinary artist whose practice reimagines civic experience through spatial storytelling in the public domain. Working across projection, robotics, AI, augmented reality, and interactive systems, she creates large-scale experiences shaped by memory, place, participation, and ritual. Her work explores how emerging technologies can transform the ways people perceive public life.

INTERVIEW | Aylal Heydarova

INTERVIEW | Aylal Heydarova

Aylal Heydarova is an emerging Azerbaijani painter whose works span a variety of artistic styles and creative techniques, including pointillism, modernism, and abstract. Launched in April 2024, the #SAVINGBUTTERFLIES project celebrates transformation and resilience, reflecting the journeys of both butterflies and migrants.

INTERVIEW | Carlos Almenar Diaz

INTERVIEW | Carlos Almenar Diaz

Venezuelan-born artist Carlos Almenar Diaz is a French-Australian citizen who has won multiple awards as an established banknote designer and contemporary artist. Carlos believes that the dynamism between the design concepts, chromatic theories, and the printing process makes a perfect synergy between visual design and art. His artwork continues to explore and investigate these optical experiments.

INTERVIEW | David Moješčík

INTERVIEW | David Moješčík

David Moješčík, aka MojDa, belongs to the middle generation of Czech sculptors. In his work, he deals with figurative sculpture. He uses all the advantages of sculpture in terms of material, allowing him to vary his sculptures in many positions, poses, and postures. He uses his own approach and handwriting in these subjects, but he often likes to work with hidden symbols or a greater or lesser degree of irony and exaggeration.