ChingKe Lin is a bamboo artist rooted in material philosophy, expanding the contemporary possibilities of bamboo. Rather than reproducing traditional craft, he approaches bamboo as an explorer, studying its tension and resilience to seek a deeper bond between nature and human experience. His work grows from the essence of the material, turning bamboo weaving into a fluid spatial language.
Zhi-Jiang Shan is an interior designer known for his cross-cultural design sensibility and poetic spatial expression. He often draws inspiration from classical Chinese landscapes, local craftsmanship, and symbolic spatial rituals, transforming them into immersive environments that resonate with modern life. His projects are not only functional but emotionally engaging.
Doug Winter is a semi-sighted North American conceptual photographic artist and filmmaker whose artworks focus on the preoccupation of light and non-figurative forms. Doug's non-representational photographs of conventional objects and their environments are derived from the human body's resilience to adapt and accommodate a physical disability and emotional trauma.
Ruonan Shen is a visual artist and photographer based in London. Her work engages with gender expression and transformation, focusing on China’s emerging drag scene as a lens through which to question the boundaries of beauty, strength, and self-presentation. Shen creates highly staged environments that balance intimacy and control, presence and absence.
Yixuan Nie is a rising multidisciplinary artist and fashion designer based in New York, whose work has been celebrated for its bold narrative power and innovative vision. Originally from Beijing, she draws profound inspiration from the layered textures of hutong life, infusing them with global relevance and artistic depth. She also works across styling, printmaking, and illustration.
Chen Wenwei approaches photography as a speculative language rather than a mere annotative reproduction of reality. Influenced by her background in editorial design, she utilises photography as a structural tool to investigate how memory, materiality, and power structures intertwine within built spaces, revealing themselves through light, circulation, signage, and boundaries.
Ellen De is a visual artist who uses photography as her primary medium to explore the intersections of architecture, abstraction, and social critique. Her work reimagines brutalist structures as sculptural forms, detaching them from their historical and ideological contexts. By emphasizing form over function, Ellen's photographs transform iconic architectural symbols into evocative remnants of unrealized utopias.
