Renowned for their versatility and innovative use of mixed media, Chen Yang specializes in digital media art, moving images, as well as painting and sculpture installations. Their creative practice is characterized by a multidisciplinary approach, through which they investigate and articulate the nuanced dialogues between human societies and their habitats.
Xinyu Zhang, also known as DayDay, is a contemporary artist originally from Wuhan, Hubei, China, and currently based in New York. Drawing inspiration from daily observations, existential reflections, and a relentless curiosity to explore diverse materials, Xinyu's art is distinguished by minimalist lines and symbols, continually seeking a delicate balance between design principles and fine art.
Delphine Cuelenaere is driven by curiosity in both subject and method. The technique of woodcarving gives her the opportunity to be surprised by the material. Open-minded departures from the unknown and a radical openness to not knowing what will come are the essence of her artistic process. Slowly and unpredictably, scenes emerge in which voyeur and protagonist, spectator and artist, intertwine.
Jiangshengyu Nova Pan is a moving image and installation artist, currently based in Baltimore (USA). work focuses on human mobility. Working from the perspective of the individual, Pan’s work explores the profound transformations of space, power relations, and social networks faced by a mobile population through sculptures and videos, appropriating everyday life scenes based on her semi-fictional writings.
Jiaming You is a painter and installation artist based in Chicago. You utilizes found imagery and photos taken by themselves to construct scenes of bodies in non-existent scenarios as an attempt to critique the limiting nature of social norms in depicting individuality and uses their experience and positionality as a non-binary immigrant as a source of knowledge and site of exploration to the confines of social norms and the distribution of power.
Maggie Wen 温馨 works mainly with the combination of interview research-based text and photography. She draws a lot of her inspiration from intercultural research. She explores the relationship between words and the environment to understand culture, politics, economics’ influence over human life, and the driving forces behind decisions.
Olivier Larivière believes art is not just embellishment or the representation of outward appearances but rather is an essential act that reveals the inward significance of things. He sees his work as a window to the life-giving mystery of who and why, and what we are. His work depicts the epiphanies and wanderings of fallen heroes, magnificent losers, ordinary misfits, pulling the narrative thread of incongruous or absurd situations until it breaks.
Camila Rodríguez Triana (Cali, 1985) is a visual artist and filmmaker. Rodríguez Triana's work reflects on identity. She is interested in the inherited ancestral culture and how we re-appropriate that culture to make it our own. She is interested in the words “re-appropriation” and “re-elaboration” that imply recognizing something past to transform it into the present.
Fotini Christophillis is an American painter based in Greenville, South Carolina. She explores the presence and absence of figurative suggestions, eliminating specific details in order to express a dream-like snapshot from her subconscious, a kind of cinematographic film still that’s neither “here nor there”. Her paintings are a reflection of her current experience as she seek to understand where she is and where she is going.
Anastasia Golovneva is a Russian painter, currently based in Moscow. Anastasia lived for many years with Khanty indigenous northern people side by side. Her work deals with the Ugric world. Harmonious, but so fragile, it was destroyed in just a couple of decades because of oil production. Anastasia believes that it is necessary to know and understand the consequences of oil production and depicts it in her art.
Kinnari Saraiya is an Indian artist based in the UK. Having grown up with the stories of the colonial empire told by her grandfather, she is fascinated by the physical evidence of this history in the landscape of India and England. It voices a counterculture of stories which depicts the dysfunctions of the world and forces a new type of meaning to be created through her work.
Ulziitugs Enkhbold is a Mongolian artist currently based in Winnipeg, Canada. She works across multiple disciplines and her practice is primarily concentrated around identity and heritage. Her paintings are often completed in oil, while her sculptures are mainly ceramic. Her current body of work consists of oil paintings that analyzes the relationship between immigrants and their home countries.
Every technical and philosophical facet of Lorette C. Luzajic’s art is committed to the application of mixed media, redefining the term to include concepts and ideas as well as tangible physical materials. This cross-genre pasticcio is born from and dependent on collage, which naturally experiments with subliminality, intercontextuality and the unexpected narratives that emerge from both playful and planned juxtapositions.
Giuseppe Francavilla tries to make the documentary discourse something universal starting from the particular. He dedicates himself mainly to street and documentary photography, working and exhibiting internationally. For Francavilla, photography must not only archive visions of the present but also be the object of evaluation and criticism of the territory for the future.
