Yulin Peng is the curator and director of Galerie de Nuage, a contemporary art gallery and cultural platform operating between New York and Hong Kong. A licensed architect with a Master of Architecture from Columbia University, her practice spans curation, design, and economic research. Her work bridges the creative and the quantitative, contributing to broader questions of how culture is shaped.
Svetlana Bakhareva is a visionary visual artist and performer, that lives and works in Barcelona. Key directions in her practice include embodied experience, the perception of environment as a living space, and engagement with the more-than-human. These vectors are unified through an exploration of experiences that extend beyond purely material perception.
ChingKe Lin is a bamboo artist rooted in material philosophy, expanding the contemporary possibilities of bamboo. Rather than reproducing traditional craft, he approaches bamboo as an explorer, studying its tension and resilience to seek a deeper bond between nature and human experience. His work grows from the essence of the material, turning bamboo weaving into a fluid spatial language.
Zhi-Jiang Shan is an interior designer known for his cross-cultural design sensibility and poetic spatial expression. He often draws inspiration from classical Chinese landscapes, local craftsmanship, and symbolic spatial rituals, transforming them into immersive environments that resonate with modern life. His projects are not only functional but emotionally engaging.
Doug Winter is a semi-sighted North American conceptual photographic artist and filmmaker whose artworks focus on the preoccupation of light and non-figurative forms. Doug's non-representational photographs of conventional objects and their environments are derived from the human body's resilience to adapt and accommodate a physical disability and emotional trauma.
Samuel Perry is a self-taught abstract artist based in San Diego, California. Known for his large-scale works on unprimed canvas, his practice explores the tensions between structure and spontaneity, control and disorder. His work is held in luxury hotels and private collections throughout the United States and represented by galleries across California.
Marco Almaviva (1934 -) is an Italian painter, the protagonist of a long artistic journey that began in Milan in the early 1960s. Evolving from a testament to life's drama, his practice, which he named Filoplastica, became a metaphor for continuous research that plunges into the depths of matter. His works are effectively "oils on canvas" produced without the canvas to paint on.
