Wang Boyuan is an artist based in London and China who explores absurdity and fantasy through printmaking, moving images, drawing, etc. Wang Boyuan’s works employ imagination and humor to reflect and rethink identity, sexuality, social constraints, and underlying ideologies. His current work is a series of drawings that serve as self-portraits exploring my possibilities, desires, and emotions.
Renowned for their versatility and innovative use of mixed media, Chen Yang specializes in digital media art, moving images, as well as painting and sculpture installations. Their creative practice is characterized by a multidisciplinary approach, through which they investigate and articulate the nuanced dialogues between human societies and their habitats.
Xinyu Zhang, also known as DayDay, is a contemporary artist originally from Wuhan, Hubei, China, and currently based in New York. Drawing inspiration from daily observations, existential reflections, and a relentless curiosity to explore diverse materials, Xinyu's art is distinguished by minimalist lines and symbols, continually seeking a delicate balance between design principles and fine art.
Delphine Cuelenaere is driven by curiosity in both subject and method. The technique of woodcarving gives her the opportunity to be surprised by the material. Open-minded departures from the unknown and a radical openness to not knowing what will come are the essence of her artistic process. Slowly and unpredictably, scenes emerge in which voyeur and protagonist, spectator and artist, intertwine.
Jiangshengyu Nova Pan is a moving image and installation artist, currently based in Baltimore (USA). work focuses on human mobility. Working from the perspective of the individual, Pan’s work explores the profound transformations of space, power relations, and social networks faced by a mobile population through sculptures and videos, appropriating everyday life scenes based on her semi-fictional writings.
Kim Matthews makes nonobjective sculptures and drawings in various media. The frequent use of modular construction arose from practical concerns and spiritual ones, as repetition is evocative of the mantra meditation that structures her daily life. The ongoing Objects of Affection series was prompted by an urge to reclaim comforting childhood memories and honor the artists and designers whose work informed her early visual lexicon.
Yu-Ching Wang was born in Taipei, Taiwan and now lives and works in New York. She is an interdisciplinary artist and works in video, performative action, spatial installation, and photography. Yu-Ching's recent works focus on exploring the social and cultural elements in the environment around her through the lens of her identity as a foreigner. She strives for the moment people become aware of unexpected realities provoked by her projects.
