Yulin Peng is the curator and director of Galerie de Nuage, a contemporary art gallery and cultural platform operating between New York and Hong Kong. A licensed architect with a Master of Architecture from Columbia University, her practice spans curation, design, and economic research. Her work bridges the creative and the quantitative, contributing to broader questions of how culture is shaped.
Svetlana Bakhareva is a visionary visual artist and performer, that lives and works in Barcelona. Key directions in her practice include embodied experience, the perception of environment as a living space, and engagement with the more-than-human. These vectors are unified through an exploration of experiences that extend beyond purely material perception.
ChingKe Lin is a bamboo artist rooted in material philosophy, expanding the contemporary possibilities of bamboo. Rather than reproducing traditional craft, he approaches bamboo as an explorer, studying its tension and resilience to seek a deeper bond between nature and human experience. His work grows from the essence of the material, turning bamboo weaving into a fluid spatial language.
Zhi-Jiang Shan is an interior designer known for his cross-cultural design sensibility and poetic spatial expression. He often draws inspiration from classical Chinese landscapes, local craftsmanship, and symbolic spatial rituals, transforming them into immersive environments that resonate with modern life. His projects are not only functional but emotionally engaging.
Doug Winter is a semi-sighted North American conceptual photographic artist and filmmaker whose artworks focus on the preoccupation of light and non-figurative forms. Doug's non-representational photographs of conventional objects and their environments are derived from the human body's resilience to adapt and accommodate a physical disability and emotional trauma.
Zihua Mo is an architectural designer and visual artist based in Philadelphia. Working across architecture, urban speculation, and digital imagery, Mo operates at a scale that resists easy categorisation. At the core of his work is the concept of synthetic nature: the condition in which the designed and the evolved become genuinely indistinguishable.
