Can Cui, originally from Beijing and currently based in New York, is known for her sculptural silhouettes and thoughtful explorations of material. Her work combines technical precision with conceptual depth, often engaging with themes of identity, transformation, and emotional texture. Can continues to challenge conventional structures and explore the expressive possibilities of fashion.
Dijun Sha (Shine Sha) is a London-based multimedia artist, jewellery designer, and curator whose work bridges the gap between traditional craftsmanship, digital innovation, and curatorial storytelling. Dijun’s practice is deeply rooted in narrative-driven creation, transforming jewellery from a wearable object into an interactive, conceptual medium.
Ruihong Liu, a Chinese-born artist now based in New York, delves into the fragility and significance of memories in her art. Acknowledging that memories are transient and susceptible to the tumultuous currents of life, Liu creates garments and installations characterized by their soft and intimate qualities, aiming to safeguard and reveal these precious fragments.
Bessy Huang is a visionary creator who breathes life into the realms of mass media. Her artistic voice dances on the edge of the absurd, the fantastical, and the profoundly dramatic. Fascinated by the surreal nuances of everyday life, she weaves compelling narratives through experimental films and intricately crafted set designs.
Ramón González Palazón is a multidisciplinary artist working in painting, drawing, video creation, installation, and filmmaking. His practice seeks to transform real spaces, merging the human and the material, using interactive devices to generate new interpretations of physical environments. In his latest compositions, he reflects on the natural process of atmospheric elements.
Tianlan Deng is a New York-based Artist and Interior Architect. Tianlan Deng's work involves interdisciplinary practices, including site-specific installation, projected media, sculptural, architectural design, and traditional Asian painting. Deng’s installation is a commentary on the de-individualization found in educational systems present in China.
Christine Comeau is a visual artist and cultural worker. Her practice is based on multidisciplinary installation, sculpture, and living poetry. Her research focuses on mobility, exile, constraint, and the physical and mental boundaries created by travel. Current tropes in her work are the tent, a portable shelter that accompanies us on our travels, and clothes. She lives and works in Quebec City, Quebec, Canada.
Contemporary interdisciplinary artist Fatima Jamil attempts to address critical cultural issues of our times, especially in the context of women. Franks attempts to address factors that stigmatize the role of the female gender. By witnessing a burgeoning rise of progressive thinking in women, especially in the East and Islamic world, her work illustrates these growing and adapting times of multiculturalism.
Luc Vandervelde Lux is a Belgian artist, living and working in Brussels. No material escapes the eye of the artist: carpets, fabrics, plastic, felt, jute, rubber, knitwear, metal or wooden frames, remnants of roofing, tape, or moving blankets are processed in his visual universe. It is a multi-layered world where found objects are freely brought together to relate to each other in new harmony.
Artist and teacher of fine arts from Argentina, Chary Hilu is a member of the Association of Visual Artists of Argentina. Her works are conceived as a response to the sensations, feelings, and experiences evoked by extreme situations. They adapt to the context and are changed according to the context. They acquire an expressive power that results from the combination of technique and emotion.
Sam He is a multimedia artist whose work mainly swings between interactive sculpture and mixed media installation. Most of Sam’s work is multidisciplinary installations with an underlying perception of cognitive dissonance. It coincides with everyone’s odd phantasm and nihilistic belonging with consequences of displacement and misinformation.
Leandro de Sousa Marcos began his artistic career in 2012. The artist's initial choice was for the pure forms, where the painting is the only surface painted, and the lines and colors suffice for what they are, forms, not what they can mean. After engaging in various projects, his work moved in a more personal and intimate direction, using the screen as a diary in which he could express feelings and clarify issues that art has put to him along his journey.
Susan Hensel makes sculptural textile works from a feminist perspective combining mixed-media practices with fabric and embroidery across digital and manual platforms, transforming personal experience, private and public spaces, and notions of beauty, through the alchemy of color, scale, lighting and placement.
Aleks Rosenberg is a multi-disciplinary artist and filmmaker who resides in the United States. The central themes found in his works relate to the 'outsider looking into the darkness of the human vortex' countered by the optimism of 'no matter what, the sun will always rise tomorrow'. For Rosenberg, there has always been the tension between light and darkness, and as such, his compositions seek to find a balance between the two extremes.
Alexandra Holownia is a performance and interdisciplinary conceptual artist who made actions in public space, costumes, sculptures, drawings, video, text, lectures. Alexandra Holownia's works touch on taboo topics related to gender. She demonstrates against exclusion, discrimination based on age, sexism, and patriarchal structures in women and men's private and public relations. Calls for socio-political tolerance, acceptance of human rights, and freedom of sexual self-determination.
Ryoji Morimoto is a mixed-media artist who was born in Kochi, a rural area of Japan. His simple upbringing infused his childhood with the legacy and lifestyle of coexistence with nature. His works are based on the relationship between something disappearing, changing, and arising with the flow of time and the human being. He often gets inspiration from simple daily life elements, such as the natural world, and visualize the relationship between their background and human beings.
Stephanie Zwerschke draws her inspiration from all her surroundings that incorporate nature, fragility, age, and beauty in decay. She experiments with the rather unusual painting media steel plates and rust. The artist transfers the metaphorical value of rusting steel to the level of her art through the images she displays.
A duo, collective artists that work into thematic series of “microfictions” fragments that highlight aspects of human nature, making them symbolically visible. Their work is rooted in the margins of reality where fiction is the way, to tell the truth about the ecological perspective to understand the interdependence of Man/Nature.
