Ramón González Palazón is a multidisciplinary artist working in painting, drawing, video creation, installation, and filmmaking. His practice seeks to transform real spaces, merging the human and the material, using interactive devices to generate new interpretations of physical environments. In his latest compositions, he reflects on the natural process of atmospheric elements.
Thomas C. Chung is a Chinese-Australian contemporary artist based in Helsinki & Sydney. His latest project, the exhibition The Sea That Stands Before Me…, contemplates the notion of one's devotion to living as a form of armament. Chung's conceptual practice continues its inquiries into psychology, folklore, mythology, and philosophy, binding them as a cohesive tale.
Jewan Goo is a research-based photographer who focuses on reexamining and reconstructing the fading history of Korea during the Japanese colonial period. His work is deeply connected to contemporary issues within institutional archives and history education, which are often biased and subject to political control or censorship by governmental or educational authorities.
Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Anastasia Egonyan is a visual artist of Ukrainian and Armenian descent based in Berlin. With over a decade of experience in photography, she has expanded her practice to incorporate textiles and found objects, creating a dynamic interdisciplinary approach. Her art reflects a journey of reconciling fragmented ancestry and nomadic experiences in the search for "home" and identity.
Christine Comeau is a visual artist and cultural worker. Her practice is based on multidisciplinary installation, sculpture, and living poetry. Her research focuses on mobility, exile, constraint, and the physical and mental boundaries created by travel. Current tropes in her work are the tent, a portable shelter that accompanies us on our travels, and clothes. She lives and works in Quebec City, Quebec, Canada.
