Can Cui, originally from Beijing and currently based in New York, is known for her sculptural silhouettes and thoughtful explorations of material. Her work combines technical precision with conceptual depth, often engaging with themes of identity, transformation, and emotional texture. Can continues to challenge conventional structures and explore the expressive possibilities of fashion.
Dijun Sha (Shine Sha) is a London-based multimedia artist, jewellery designer, and curator whose work bridges the gap between traditional craftsmanship, digital innovation, and curatorial storytelling. Dijun’s practice is deeply rooted in narrative-driven creation, transforming jewellery from a wearable object into an interactive, conceptual medium.
Ruihong Liu, a Chinese-born artist now based in New York, delves into the fragility and significance of memories in her art. Acknowledging that memories are transient and susceptible to the tumultuous currents of life, Liu creates garments and installations characterized by their soft and intimate qualities, aiming to safeguard and reveal these precious fragments.
Bessy Huang is a visionary creator who breathes life into the realms of mass media. Her artistic voice dances on the edge of the absurd, the fantastical, and the profoundly dramatic. Fascinated by the surreal nuances of everyday life, she weaves compelling narratives through experimental films and intricately crafted set designs.
Ramón González Palazón is a multidisciplinary artist working in painting, drawing, video creation, installation, and filmmaking. His practice seeks to transform real spaces, merging the human and the material, using interactive devices to generate new interpretations of physical environments. In his latest compositions, he reflects on the natural process of atmospheric elements.
Mingyong Cheng, originally from Beijing and now based in California, is an interdisciplinary artist working at the intersection of AI, generative art, and environmental research. Working across generative animation, performance, real-time systems, and immersive installation, she develops hybrid environments where nature, data, and memory converge through machine vision and embodied experience.
Angelina Voskopoulou is a multidisciplinary artist whose work traverses sculpture, experimental filmmaking, and screen dance, often exploring themes of human existence, impermanence, and the unseen forces that shape identity. Through hybrid forms and ephemeral gestures, her art invites viewers into liminal spaces, where the natural and artificial blur and become a site of philosophical inquiry.
