Mixed Media

INTERVIEW | Sam He

INTERVIEW | Sam He

Sam He is a multimedia artist whose work mainly swings between interactive sculpture and mixed media installation. Most of Sam’s work is multidisciplinary installations with an underlying perception of cognitive dissonance. It coincides with everyone’s odd phantasm and nihilistic belonging with consequences of displacement and misinformation.

INTERVIEW | Lorette C. Luzajic

INTERVIEW | Lorette C. Luzajic

Every technical and philosophical facet of Lorette C. Luzajic’s art is committed to the application of mixed media, redefining the term to include concepts and ideas as well as tangible physical materials. This cross-genre pasticcio is born from and dependent on collage, which naturally experiments with subliminality, intercontextuality and the unexpected narratives that emerge from both playful and planned juxtapositions.

INTERVIEW | Mary Badalian

INTERVIEW |  Mary Badalian

Mary Badalian’s artistic practice is marked by interweaving: of thread, materials, but also driving forces of nostalgia and compulsion. Her process is persistent and repetitive and each piece shelters a story and intense emotions, abstracted and expressed through texture and colour. These works and their process are the artist’s self-expression and self-exploration.

INTERVIEW | Ryoji Morimoto

INTERVIEW | Ryoji Morimoto

Ryoji Morimoto is a mixed-media artist who was born in Kochi, a rural area of Japan. His simple upbringing infused his childhood with the legacy and lifestyle of coexistence with nature. His works are based on the relationship between something disappearing, changing, and arising with the flow of time and the human being. He often gets inspiration from simple daily life elements, such as the natural world, and visualize the relationship between their background and human beings.

INTERVIEW | Peter Horvath

INTERVIEW | Peter Horvath

Peter Horvath is a photo-based and New Media artist who was born in Toronto, Canada. Merging street ephemera, movie posters, photographs, ink and spray paint, Horvath's densely layered assemblage portraits reflect his fascination with media consumption, cultural icons, and urban decay. He shares an affinity with the Décollage of the 1960's Nouveau Réalistes Mimmo Rotella and Jacques Villeglé.