Vierdamme is the artistic duo of Marleen Vandamme and Dennis Vieren, a portmanteau that embodies the fusion of their distinct creative voices, exploring the depths of identity, emotion, and connection. Their work is deeply personal, reflecting an ongoing artistic conversation between two distinct yet harmonized perspectives.
Stephan Joseph Ravare Jr. transcends the title of mere artist. His work embodies the role of a storyteller, channelling ideas, confronting and breaking barriers, and honouring his Louisiana Creole heritage through his art. Viewing art as a catalyst for transformation and acceptance, Stephan uses culture and differences to not only cope with mental health but to inspire solace and creativity.
Roxana Casillas is a sculptor, born in Mexico City in 1964. Her work aims to celebrate the enigmatic aspects of femininity, delving into her own psyche as both the creator and the subject while offering viewers profound insights into the complexities of existence and the journey of self-discovery. Working primarily with contemporary sculpture, Roxana finds joy in the tangible and transformative nature of this medium.
Céline Sicard is a contemporary French artist. All her projects have in common the desire to surprise the visitor with unexpected visions that invite to a poetic or shifted journey. She borrows from various techniques to create contemporary masks as an intuitive artist. All her pieces have a ceramic base, but also incorporate basketry to create an interface between art and nature, between the useful and the useless.
Moti Bazak makes use of recycled materials to create thought-provoking, often abstract images inspired by the existential aspects of modern life. Moti has started off with sculpture and wall art, currently embracing traditional photography and digital art. Moti grew up in Israel, where he first began developing his self-taught style. Since then, he has won several awards and had his work exhibited across the United States, Europe, and Israel.
Felipe Farme D'Amoed was born in Rio de Janeiro, Brazil, and has lived in the US for the past ten years. In his sculpture, the artist uses plastic and rebar to torture the trunk blatantly. By suffocating the piece, impeding it to breathe and recover, he transfers agony to the offender. Asphyxiation kills all living beings. In each confronting medium, the artist elucidates our concern for the soul and place in the world.
